New Corn
Roots
Mendota, Illinois
Whenever you desire, jump in the car
And drive, arrive at dusk—the hour
Among the buildings spread across the farm,
Out toward the pastures, woods, and fields.
Columns of green corn. The wind lays down
The tune. You can play it, too, simply
Stretched out, lightly striking the stalks.
Who wouldn't desire, like the children
To sit down on the turned earth and drift
Away on the rhythms of his own
Voices come closer, veer off. Flashlight beams
Strobe over your head. You do not care.
Sheep shed, corn crib, barn—caved in upon itself,
The walls and roofs collapsing with a final
No one you will ever know works that land now.
It is as green as Eden. Life rises in the roots, in the leaves.
Brain Chops
The Preface
A continuous fabric (nerve movie?) exactly as wide as these lines—
"continuous" within a certain time-limit, say a few hours of total
attention and pleasure: to move smoothly past the reader's eyes,
across his brain: the moving sheet has shaped holes in it which
trip the synapse finger-levers of reader's brain causing great sections
of his nervous system—distant galaxies hitherto unsuspected (now
added to International Galactic Catalog)—to LIGHT UP. Bring
out new masses, maps old happy memory.
No Vacancy
The Other Place
Sirens
This is the one song everyone
would like to learn: the song
that is irresistible:
the song that forces men
to leap overboard in squadrons
even though they see beached skulls
the song nobody knows
because anyone who had heard it
is dead, and the others can’t remember.
Shall I tell you the secret
and if I do, will you get me
out of this bird suit?
I don’t enjoy it here
squatting on this island
looking picturesque and mythical
with these two feathery maniacs,
I don’t enjoy singing
this trio, fatal and valuable.
I will tell the secret to you,
to you, only to you.
Come closer. This song
is a cry for help: Help me!
Only you, only you can,
you are unique
at last. Alas
it is a boring song
but it works every time.
Margaret Atwood
Sea and Land
Fog Horns
Scoreless
Baseball and Classicism
Hartline Washington,USA
<!–StartFragment–>Don't wanna live in the city,
City is way too full.
I just wanna be where I can sleep
with both of my eyes closed.
Don't wanna live in the country,
I can't afford no farm.
So I'm in this little town, and I look around,
And there ain't that much to do.
[chorus:]
Let's go down to the cafe and count feedcaps,
and count feedcaps, in a row.
Red and blue and green over the coffee cups,
Stirrin' easy, fadin' slow.
JoAnn, you know how much I love you,
That's why I brought you here.
Where the rent is cheap and the fishin's good,
When it don't rain too much.
What is this look in your eyes, dear?
Are you tired of me?
You don't wanna read; nothin's on TV,
Don't look at your suitcase like that.
Greg Brown 'Counting Feedcaps'
Another Country
Whoso list to haunt could do worse than to Obtain the license, get the picture. Spook finders must find spooks to put the face, Name and space coordinates together. What is kept in the mind perimeter Retains a wild autonomy through fate. I will retreat to the precorporate. Let fate have what is fate’s and allow This spirit to slip through time’s difficult Nets with the devious fingers of A wild wind, while I run along behind.
The Domestic Life of Ghosts
by Tom Clark
Cliff Ave
Home Fire
Surf City
Well all be planning that route
Were gonna take real soon
Were waxing down our surfboards
We cant wait for june
Well all be gone for the summer
Were on surfari to stay
Tell the teacher were surfin
Surfin u.s.a.
From Surfin.USA
THe Beach Boys