Back Seat

Factory

by Charles Simic

The machines were gone, and so were those who worked them.
A single high-backed chair stood like a throne
In all that empty space.
I was on the floor making myself comfortable
For a long night of little sleep and much thinking.

An empty birdcage hung from a steam pipe.
In it I kept an apple and a small paring knife.
I placed newspapers all around me on the floor
So I could jump at the slightest rustle.
It was like the scratching of a pen,
The silence of the night writing in its diary.

Of rats who came to pay me a visit
I had the highest opinion.
They’d stand on two feet
As if about to make a polite request
On a matter of great importance.

Many other strange things came to pass.
Once a naked woman climbed on the chair
To reach the apple in the cage.
I was on the floor watching her go on tiptoe,
Her hand fluttering in the cage like a bird.

On other days, the sun peeked through dusty windowpanes
To see what time it was. But there was no clock,
Only the knife in the cage, glinting like a mirror,
And the chair in the far corner
Where someone once sat facing the brick wall.

Pretty in Pink lll

Everything Is Free

by George Elliott Clarke

Wipe away tears,
Set free your fears:
Everything is free.
Only the lonely
Need much money:
Everything is free.
    Don’t try to bind
The love you find:
Everyone is free.
Your lover’s yours —
Surrender force:
Everyone is free.
    The sun melts down,
Spreads gold around:
Everything is free.
The rain is spent
Lending flowers scent:
Everything is free.
    The love you live,
The life you give:
Everything is free.

Swingin’

Shroud of the Gnome

by James Tate

And what amazes me is that none of our modern inventions
surprise or interest him, even a little. I tell him
it is time he got his booster shots, but then
I realize I have no power over him whatsoever.
He becomes increasingly light-footed until I lose sight
of him downtown between the federal building and
the post office. A registered nurse is taking her
coffee break. I myself needed a break, so I sat down
next to her at the counter. "Don't mind me," I said,
"I'm just a hungry little Gnostic in need of a sandwich."
(This old line of mine had met with great success
on any number of previous occasions.) I thought,
a deaf, dumb, and blind nurse, sounds ideal!
But then I remembered that some of the earliest
Paleolithic office workers also feigned blindness
when approached by nonoffice workers, so I paid my bill
and disappeared down an alley where I composed myself.
Amidst the piles of outcast citizenry and burning barrels
of waste and rot, the plump rats darting freely,
the havoc of blown newspapers, lay the little shroud
of my lost friend: small and gray and threadbare,
windworn by the ages of scurrying hither and thither,
battered by the avalanches and private tornadoes
of just being a gnome, but surely there were good times, too.
And now, rejuvenated by the wind, the shroud moves forward,
hesitates, dances sideways, brushes my foot as if for a kiss,
and flies upward, whistling a little-known ballad
about the pitiful, raw etiquette of the underworld.

Road Report

Road Report

by Kurt Brown

Driving west through sandstone’s
red arenas, a rodeo of slow erosion
cleaves these plains, these ravaged cliffs.
This is cowboy country. Desolate. Dull. Except
on weekends, when cafes bloom like cactus
after drought. My rented Mustang bucks
the wind—I’m strapped up, wide-eyed,
busting speed with both heels, a sure grip
on the wheel. Black clouds maneuver
in the distance, but I don’t care. Mileage
is my obsession. I’m always racing off,
passing through, as though the present
were a dying town I’d rather flee.
What matters is the future, its glittering
Hotel. Clouds loom closer, big as Brahmas
in the heavy air. The radio crackles
like a shattered rib. I’m in the chute.
I check the gas and set my jaw. I’m almost there.

Old and New

 

  

Grass

by Carl Sandburg

 

PILE the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work—
                                          I am the grass; I cover all.

 

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and the passengers ask the conductor:
                                          What place is this?
                                          Where are we now?

 

                                          I am the grass.
                                          Let me work.